October 26–December 7
A growing number of artists have sought inspiration in genomics and biotechnology, including choreographer Liz Lerman, whose Ferocious Beauty: Genome (to be performed at the
Williams Center on November 14. The artists included in Nature (Re)Made conduct explorations revolving around genetic research and the effect of biotechnology in health care and environmental concerns.

Thursday, November 13, 4:00-6:00 pm,
Lecture by Ellen Levy, Williams - Room 108

Minority, Scientists and Engineers are sponsoring a brown for students looking for Internships or are interested in Excel research for the upcoming summer. Students from various majors will be speaking on their experience and how they got their internship or research position. Speakers included are:

Internship:
Martha Were- ChE
Martin Tjioe-Civil
Jason Mills-ECE
Nico Gonzalez-Civil
Mosi London-Civil

Excel:
Daniella Colon
Anne Rapuoda

FREE FOOD

Come and learn about what opportunities upperclassmen Engineers have taken advantage of during the summer, and see if you may being be interested in doing the same. There would four to five student presenters talking about what internship experience they have and what they took away from them.

Food will be served.

Geshe Thupten Phelgye, a Tibetan Buddhist monk and member of the Tibetan Parliament in Exile, will give a lunchtime presentation. For further information, contact Prof. Robin Rinehart.

Ballengée, an environmental artist and field observer for the United States Geological Survey's North American Reporting Center for Amphibian Malformation (NARCAM), will talk about his research studying amphibian decline and deformities from his unique perspective as artist and researcher.

This talk is presented in conjunction with the exhibition "Nature(Re)Made" and the Liz Lerman Dance Exchange production of "Ferocious Beauty: Genome."

Interested in a career in science or math? Attend this conferencing and networking night created just for you!
CAREER SERVICES

Denk made his mark with Williams Center audiences two years ago as soloist with Orpheus in its Brandenburg Redux program.

This season he brings us the spectacular program he will perform four days later in his Carnegie Hall debut: Beethoven’s Piano Sonata No. 29 in B-Flat Major, Op. 106—the heroic “Hammerklavier” Sonata—and Charles Ives’ deeply spiritual 1920 “Concord” Sonata, which pays tribute to the New England transcendentalists, with the four movements dedicated to (and invoking) Emerson, Hawthorne, the Alcotts, and Thoreau.

The Boston Globe calls Denk an exceptional pianist blessed with “an unerring sense of the music’s dramatic structure and a great actor’s intuition for timing.”

The Grossman Gallery, in the Williams Visual Arts Building, is one block from the Delaware River and sits directly over the Bushkill Creek. Both bodies of water have overflowed their banks in recent years. Knee Deep and Risin', created by Jim Toia and Noah Vawter, is a multimedia installation of video and audio feeds from both waterways. Infrared sensors, triggered by visitors' moving the exhibition screens, activate live and recorded video and audio, simulating flood events from fresh perspectives. Knee Deep and Risin' is an interdisciplinary project by Lafayette College's Department of Computer Science, Department of Art, Grossman Gallery, Community Based Teaching Program, and the Lehigh Valley Performing Arts High School.